"The modern master of the gamebook format" (Rob Sanders)... "Can do dark very well" (Jonathan Oliver)... "Green gets mileage out of his monsters" (SFX Magazine)... "It takes a firm editorial hand and a keen understanding of the tone of each piece to make a collection this diverse work, and Green makes it look effortless" (Starburst Magazine)... "A charming blend of camp creatures, humour, and genuine horror" (Set the Tape)
On the twelfth day of Christmas I visited the Charles Dickens Museum in Holborn. Despite having lived in West London for over 20 years, this was my first visit and I couldn't have timed it better, since the house was decorated for Christmas.
Unless this is the first time you have visited my blog, you may have noticed that I've been a little bit obsessed with Dickens' A Christmas Carol of late. Unsurprisingly, considering the season, the museum was hosting an exhibition about the most famous Christmas story in the world (after the Nativity), which included costumes from the recent film The Man Who Invented Christmas, and delved into the origins of the story.
It may not be Christmas any longer, but the first Scrooge and Marley (Deceased) tale, The Haunted Man, is still available as an eBook from Amazon, and I fully intend to write further stories over the coming year, as long as there's enough support for the books.
On a side note, is it just me or is The Carol of the Bells absolutely everywhere now around Christmas time? Ten years ago I don't think I'd even heard of it, but now it's everywhere, in adverts, on TV shows and film soundtracks... there's no getting away from it. Not that I'm complaining, I think it's great - especially this version.
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